As a student in the Harvard–Berklee Joint Studies program, you have the opportunity to take any course for which you meet the prerequisites and that has open space. After receiving the results of the ESPA (placement exam) and completing their placement audition, students begin by enrolling in introductory courses in one or more of four general areas in consultation with their advisor:
- Performance
- Private Instruction (50 minute lessons in your first year, 30 minute lessons after that)
- Ensembles
- Instrumental Labs
- Composition or Songwriting
- HR-112 Harmony 2 or HR-221 Harmony 3 (depending on ESPA results)
- AR-111 Arranging 1
- Music 2 or Music 51a (at Harvard)
- SW-110 Songwriting Foundations
- CM-201 Introduction to Composition
- Music Production
- MTEC-111 Introduction to Music Technology
- A higher-level DAW course if you test out of MTEC-111
- Music Business
- MB-101 Introduction to the Music Business
- MB-201 Principles of Business Management
- MB-211 Legal Aspects of the Music Industry
In later semesters, students can begin to take more advanced courses within Berklee’s majors. Students can explore the core course offerings of each major by going to the major’s page and clicking the “Curriculum and Courses” drop down. Students should consult with their advisor on additional course offerings and possibilities. *Note: courses in the Music Production and Engineering department are generally unavailable unless the student applies and is accepted to the major. Courses in the Electronic Production and Design department are often at capacity and may be difficult to enroll in.
Below you will find a list of suggested courses that you should take as an undergraduate Harvard–Berklee Joint Studies student to prepare for the various master's degree programs at Berklee if you choose. Please note that this is just a template and a list of recommended courses for your studies at Berklee; it is not exhaustive and can include other courses not listed. Students who are interested in applying to a Berklee master’s program should consult with their advisor as early as possible.
Master of Music in Global Jazz (Boston)
- Private instruction
- Introductory harmony courses
- Ensembles
- Berklee Global Jazz undergraduate curriculum
- Students are encouraged to apply before their junior year.
- The global jazz curriculum requires a heavy workload of credits; students should consult their advisor.
Master of Music in Contemporary Performance (Production Concentration) (Valencia, Spain)
- Performance
- Private Instruction
- Ensembles
- World styles
- R&B/Hip-Hop/Jazz
- Instrumental labs
- Harmony/Theory
- Songwriting/Composition
- SW-110 Songwriting Foundations
- CM-201 Introduction to Composition
- Production
- MTEC-111 Introduction to Music Technology
- Introductory DAW course (1 or more):
- MP-113 Accelerated Pro Tools Online
- MTEC-214 Producing Music with Logic Pro X
- SW-161 DAW for Songwriters: Pro Tools
- SW-191 DAW for Songwriters: Logic Pro X
Master of Arts in Global Entertainment and Music Business (Valencia, Spain)
- Music business courses
- MB-101 Introduction to the Music Business
- MB-201 Principles of Business Management
- MB-211 Legal Aspects of the Music Industry
- Additional music business courses per student interest
- Additional recommendations:
- Harvard courses
- Economics
- Computer Science
- Musical background
- Private instruction
- Courses in composition, songwriting, or other creative practices
Master of Music in Music Production, Technology, and Innovation (Valencia, Spain)
- Music Production
- MTEC-111 Introduction to Music Technology
- MP-113 Accelerated Pro Tools Online
- MP-114 Critical Listening Lab Online
- MP-115 Production Analysis Lab Online
- IR-205 Recording and Mixing Techniques
- IR-223 Audio and MIDI Production 1
- MP-231 Vocal Production and Mixing for Musicians
- Additional courses per consultation/student interest
- Harmony/Composition
Master of Music in Scoring for Film, Television, and Video Games (Valencia, Spain)
- Introductory courses
- Introductory screen scoring courses
- SCRN-202 Introduction to Scoring Technology for Media Composers
- SCRN-240 Introduction to Composition and Orchestration for Media Composers
- Film Scoring courses
- Game and Interactive Media Scoring courses
- GAIM-271 Introduction to Game and Interactive Media Scoring
- GAIM-371 Scoring for Interactive Media
- GAIM-381 Audio Foundations of Interactive Media
- GAIM-372 Mixing for Interactive Media
- GAIM-471 Advanced Scoring for Interactive Media
- GAIM-472 Advanced Mixing for Interactive Media
Master of Arts in Creative Media and Technology: Live Music Production and Design (New York)
- Harvard
- Creative courses in Music, TDM, or AFVS
- Production
- MTEC-111 Introduction to Music Technology
- MP-113 Accelerated Pro Tools Online
- MTEC-213 Producing Music With Ableton Live
- MP-114 Critical Listening Lab Online
- MP-115 Production Analysis Lab Online
- IR-205 Recording and Mixing Techniques
- IR-209 Audio and Studio Principles
- IR-223 Audio and MIDI Production 1
- IR-224 Audio and MIDI Production 2
- IR-242 Mixing Techniques 2
- Music Technology
- MTEC-222 Introduction to Synthesizer Programming and Sound Design
- MTEC-225 Introduction to Sampling in Contemporary Music
- MTEC-310 Performing Electronic Music with Effects
- MTEC-312 Sound Design for Electronic Performance
- MTEC-326 Electronic Music Mixing
- MTEC-350 Electronic Performance for Musicians
- PSEL-321 Production Styles for the Electronic Performer
- Music Business
- Others
- Courses in Electronic Production and Design or Game and Interactive Media Scoring
Master of Arts in Creative Media and Technology: Songwriting and Production (New York)
- Harmony/Music Theory
- HR-112 Harmony 2
- HR-221 Harmony 3
- AR-111 Arranging 1
- Music 2, Music 51a, Music 51b (at Harvard)
- Songwriting
- Production
- MTEC-111 Introduction to Music Technology
- DAW courses:
- MP-113 Accelerated Pro Tools Online
- MTEC-213 Producing Music With Ableton Live
- MTEC-214 Producing Music with Logic Pro X
- SW-161 DAW for Songwriters: Pro Tools
- SW-181 DAW for Songwriters: Ableton Live
- SW-191 DAW for Songwriters: Logic Pro X
- SW-261 Advanced DAW for Songwriters: Pro Tools
- SW-281 Advanced DAW for Songwriters: Ableton Live
- SW-291 Advanced DAW for Songwriters: Logic Pro X
- SW-383 Advanced Skills for the Songwriter-Producer
- MP-114 Critical Listening Lab Online
- MP-115 Production Analysis Lab Online
- IR-205 Recording and Mixing Techniques
- IR-223 Audio and MIDI Production 1
- IR-224 Audio and MIDI Production 2
- IR-242 Mixing Techniques 2
Master of Arts in Creative Media and Technology: Writing and Design for Musical Theater (New York)
- Introductory Courses
- HR-112 Harmony 2
- HR-221 Harmony 3
- AR-111 Arranging 1
- Music 2, Music 51a, Music 51b (at Harvard)
- MTEC-111 Introduction to Music Technology
- SW-191 DAW for Songwriters: Logic Pro X or MTEC-214 Producing Music with Logic Pro X
- Songwriting Electives
- SW-110 Songwriting Foundations
- SW-115 Essential Keyboard for Songwriters
- SW-238 Keyboard Techniques for Songwriters
- SW-211 Songwriting 1
- SW-212 Songwriting 2
- SW-221 Lyric Writing 1
- SW-222 Lyric Writing 2
- SW-345 Musical Theater Writing 1
- SW-445 Musical Theater Writing 2
- SW-399 Senior Seminar in Songwriting: Musical Theater Focus
- SW-499 Directed Study in Musical Theater Writing
- Arranging Electives
- CW-216 Vocal Writing
- Note: requires AR-124 Arranging 2
- CW-257 Musical Theater Arranging and Orchestration
- Note: requires AR-124 Arranging 2
- Musical Theater Electives
- COND-331 Advanced Conducting Skills for the Theater
- COND-332 Theater Musical Direction
- ENVC-270 Introduction to Musical Theater
- ENVC-370 New Works Musical Production Ensemble
- PST-385 Elements of Theater Production
- PSVC-132 Musical Theater for Young Audiences, Creation to Performance
- PSVC-343 Coaching Theater Vocalists
- SW-461 Writing the Film Musical