Don’t miss one of the greatest films of the silent era, reborn in the newest digital restoration, with a powerhouse score performed live by the Berklee Silent Film Orchestra.
Screen legend Lon Chaney performs in <i>The Phantom of the Opera</i> (1925).
Don’t miss one of the greatest films of the silent era, reborn in the newest digital restoration, with a powerhouse score performed live by the Berklee Silent Film Orchestra.
Screen legend Lon Chaney performs in <i>The Phantom of the Opera</i> (1925).
Don’t miss one of the greatest films of the silent era, reborn in the newest digital restoration, with a powerhouse score performed live by the Berklee Silent Film Orchestra.
The Berklee Silent Film Orchestra returns to Martha’s Vineyard to perform its new score, commissioned by Universal Pictures, for <i>The Man Who Laughs</i> (1928).
The Berklee Silent Film Orchestra returns to Martha’s Vineyard to perform its new score, commissioned by Universal Pictures, for The Man Who Laughs (1928).
The Berklee Silent Film Orchestra returns to the Nantucket Film Festival—and the Dreamland—to perform its new score, commissioned by Universal Pictures, for <i>The Man Who Laughs</i> (1928).
The Berklee Silent Film Orchestra returns to the Nantucket Film Festival—and the Dreamland—to perform its new score, commissioned by Universal Pictures, for The Man Who Laughs (1928).
The Berklee Silent Film Orchestra returns to The Cabot to perform its new score, commissioned by Universal Pictures, for <i>The Man Who Laughs</i> (1928).
The Berklee Silent Film Orchestra returns to The Cabot to perform its new score, commissioned by Universal Pictures, for The Man Who Laughs (1928).
The Berklee Silent Film Orchestra returns to Providence’s Avon Cinema to perform its new score, commissioned by Universal Pictures, for <i>The Man Who Laughs</i> (1928).
The Berklee Silent Film Orchestra returns to Providence’s Avon Cinema to perform its new score, commissioned by Universal Pictures, for The Man Who Laughs (1928).
The Berklee Silent Film Orchestra returns to the Coolidge Corner Theatre with its new score for Universal Pictures' period drama <i>The Man Who Laughs</i> (1928).
The Berklee Silent Film Orchestra returns to the Coolidge Corner Theatre to perform its new score, commissioned by Universal Pictures, for The Man Who Laughs (1928).
<i>Battleship Potemkin</i> is Sergei Eisenstein’s masterpiece of martial oppression and revolutionary transcendence; the program opens with premieres of two 1913 shorts—<i>Suspense</i> and <i>The Rosary</i>—by pioneering silent director Lois Weber.
Enjoy one of cinema’s great masterworks—and two world-premiere restorations from pioneering director Lois Weber—with a score composed and performed live-to-picture by one of the world’s top silent film ensembles.
<i>Battleship Potemkin</i> is Sergei Eisenstein’s masterpiece of martial oppression and revolutionary transcendence; the program opens with premieres of two 1913 shorts—<i>Suspense</i> and <i>The Rosary</i>—by pioneering silent director Lois Weber.
Enjoy one of cinema’s great masterworks—and two world-premiere restorations from pioneering director Lois Weber—with a score composed and performed live-to-picture by one of the world’s top silent film ensembles.
