Patrice Jégou-Oyelese

Position
Associate Professor
Affiliated Departments

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Patrice Jégou-Oyelese is a retired Canadian figure skater who took up singing at the suggestion of a castmate while skating in an ice show on tour in Mexico. She made her professional singing debut as an undergraduate student as a soloist in Mass by Leonard Bernstein, under the baton of Maestro Hans Graf with the Calgary Philharmonic Orchestra. Jégou-Oyelese holds a D.M.A. in classical vocal performance from Mason Gross School of the Arts at Rutgers University, an M.M. from Belmont University, and a B.M. from the University of Calgary. She also completed the Programme D’Apprentissage de Français Langue Seconde at Université du Québec à Chicoutimi. Since 2015, Jégou-Oyelese has been studying contemporary commercial vocal technique in private lessons with acclaimed vocal coach Justin Stoney, and recently completed the 50-hour Voice Teacher Training & Certification course taught by Stoney and his team. On her record label, Prairie Star Records, Jégou-Oyelese has released three albums of popular music: Speak Low (2014), If It Ain't Love (2019), and There's a Light (2021). Her classical recording experience includes an album of Latin American and Russian art songs with Galician bagpipe player and pianist Cristina Pato. In 2019 and 2020, Jégou-Oyelese won the Independent Music Award for Best A Cappella Song for the tracks “Lover Come Back to Me” featuring Mark Kibble and Alvin Chea of TAKE 6 and “Wrap Your Troubles in Dreams” featuring TAKE 6. She has performed at the Berks Jazz Festival with Kirk Whalum and at the Blue Note Jazz Club in New York City with TAKE 6.

Career Highlights
  • Recorded and released three albums on her own imprint Prairie Star Records LLC. On these projects, she collaborated with some of the leading pop, jazz, big band, and gospel musicians, arrangers, producers, and engineers. These include nine-time Grammy Award-winning vocal jazz group TAKE 6, the Clayton-Hamilton Jazz Orchestra, Andraé Crouch, Táta Vega, Jorge Calandrelli, David Paich from Toto, Don Murray, and Al Schmitt
  • Director, Richard Miller Vocal Performance and Pedagogy Institut at the University of Lethbridge, Canada (2004, 2005)
Awards
  • Winner of the 2019 and 2020 Independent Music Award for Best A Cappella Song for “Lover Come Back to Me” featuring Mark Kibble and Alvin Chea of TAKE 6 and “Wrap Your Troubles in Dreams” featuring TAKE 6
  • First Prize Winner, IX Concurso y Festival Internacional de Canto Lírico in Trujillo, Perú
  • Laureate, XIII Jeunes Ambassadeurs Lyriques at Théâtre Lyrichoregra, Montréal, and was chosen through audition to represent Canada in Orvieto, Italy in the XII Concorso Internazionale per Cantanti Lirici Spazio Musica
  • Intern, NATS (National Association of Teachers of Singing) Summer Intern Teaching Program Scholarship
  • P.E.O. Scholar Award
  • Irene Alm Memorial Prize: Awarded by the Department of Music at Rutgers University to a graduating doctoral student for excellence in performance and scholarly research
  • Two scholarship residencies at The Banff Centre for the Performing Arts
  • Two-time recipient of the Calgary Opera Company scholarship
Education
  • School Name
    Rutgers University-New Brunswick
    State or Province
    New Jersey
    Degree
    Doctor of Musical Arts (DMA)
    Field of Study
    Voice Performance
    Date Degree Received
  • School Name
    Belmont University
    State or Province
    Tennessee
    Degree
    Master of Music (MM)
    Field of Study
    Voice Performance
    Date Degree Received
  • School Name
    University of Calgary
    Country
    Canada
    Degree
    Bachelor of Music (BM)
    Field of Study
    Voice Performance
    Date Degree Received
In Their Own Words

"I believe a voice teacher needs to provide a student with a solid technical foundation so that they can achieve vocal and artistic freedom. This freedom, in turn, makes it possible for a singer to confidently communicate through musicianship and artistry. Not only is it my goal to help a student develop the vocal technique to become a better communicator and more confident artist, but to provide them with the tools necessary to prevent vocal injury and maintain a healthy voice capable of managing the demands of a professional singing career."

"From 1994 until 2015, my training and technical background was in the Italian bel canto tradition. However, in the spring of 2015, I embarked on the private study of contemporary pedagogy and singing styles. I have found that the technical differences between opera, jazz, pop, musical theatre, gospel, and beyond, are not quite as radical as we may sometimes think. Yes, there certainly are adjustments and differences between styles: art-song doesn’t call for high belting, and death-metal generally doesn’t call for voce finta. However, the lieder singer and the heavy metal lead singer both benefit from developing breath management, the acquisition of agility, developing well-balanced vowels, working on resonance balancing, strengthening sostenuto, unifying (or separating) the registers, range extension, and practicing dynamic control. These skills are important for every vocalist, regardless of genre."