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Jonathan Wyner

Position
Professor
Telephone
617-747-3130

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Jonathan Wyner is head of artistic technology initiatives for BEATL (Berklee Emerging Artistic Technology Lab), professor of music production and engineering at Berklee College of Music, and an instructor at Berklee Online. He is also the chief engineer at M Works Studios in Somerville, Massachusetts; past president of the Audio Engineering Society (AES); and former education director for iZotope.

A musician, performer, producer, and engineer, he has mastered and produced more than 5,000 recordings over the last 40 years, with credits including James Taylor, David Bowie, Aerosmith, Kiri Te Kanawa, Aimee Mann, Miles Davis, Thelonious Monk, Pink Floyd, Josh Groban, Bruce Springsteen, and Nirvana. His work spans the intersection of musical craft, audio engineering, education, and emerging technology, including experience as a product design consultant focused on creative tools. He remembers, very clearly, the time before the look-ahead limiter/compressor changed the sound of music. Driving CV triggers on an ARP 2600 from his French horn in 1977 set him on a lifelong journey to explore how technology can expand our creative vocabulary.

At BEATL, his work centers on helping artists, educators, and industry leaders engage with AI and other emerging technologies in ways that are grounded in real musical practice and attentive to questions of authorship, identity, and impact.

As an advisor to music and technology companies, he represents the perspective of working musicians and educators in the development of creative tools, collaborating closely with developers and design teams to support the quality of music in every aspect—from sonic integrity to the ways artists interact with their tools—ensuring that workflows are shaped around the real needs of musicians. He brings the artist’s voice into his advisory work with companies such as iZotope, Suno, Softube, and Moises.

Career Highlights
  • Instruments include the French horn, trumpet, and tuba
  • Performances and appearances with the Buffalo Philharmonic, Deborah Henson-Conant, and Marvin Hamlisch
  • Recordings with Jean-Claude Risset, James Taylor, David Bowie, Aerosmith, Kiri Te Kanawa, Aimee Mann, London Symphony, Miles Davis, Semisonic, Thelonius Monk, Pink Floyd, Cream, Bruce Springsteen, and Nirvana among many others
  • Publications include Mix Magazine, Studio Sound, and REP
  • Live recording and mix of WGBH's inaugural webcast
  • Audio for interactive CD-ROM game Play It by Ear
  • Surround mix/master for Disney and Weather Report
  • President of the Audio Engineering Society, 2021
  • Authored Audio Mastering: Essential Practices published by Hal Leonard/Berklee Press along with undergraduate and graduate courses for Berklee Online
Awards
  • Recipient of a TEC Award for Best Educational Software
  • Grammy nominee for Invention and Alchemy in the Best Classical Crossover Album category, 2005
In Their Own Words

"I want students to come away from my classes with renewed enthusiasm for the art and craft of music production along with the ability to listen better and hear more and the tools to help marry their technological vocabulary to their creative vocabulary."

"I am a musician first who happens to love what technology offers the creative. I have been a student, teacher, and working professional my entire career, and the shared experience that comes from not yet understanding something gives me empathy for the student's journey."