In this class we will experiment with microtonal arrangements of Western classical, Middle Eastern and other non-Western and jazz/fusion compositions. Joe Maneri's 72 equal temperament octave notation system will be explained. We will start with a selection from the following compositions: Eclipse (Mingus); Madoka Blue (Fiuczynski); Carrillo quarter tone string quartets; Hába quarter tone ‚études; Turkish, Arabic, and Chinese melodies; Beethoven fragments; MoonRing (3/4 tone diminished mode); and Apprehension (Fiuczynski). Students will have a working knowledge of notation, Western classical microtonal history, intonation, and ways of soloing and comping in a microtonal chord scale context. We will also experiment with dance hall, drum 'n' bass, reggaeton, merengueton, house, 2-step, 32nd note hi-hat grooves, hip-hop, go-go, clipped and bounce beats, and new experimental beats created by students.
Written approval of course instructor
All B.M. and P.D. students
Fall, Spring, Summer