At the annual Berklee Teachers on Teaching conference, a world-class musician and educator and a future-oriented inventor share their perspectives.
By
Elisabeth Nicula
February 6, 2009
Ray Kurzweil sees technological innovation as a fundamental part of being human. He predicts technological advancements, which he says are accelerating at a non-linear rate, with uncanny skill.
Photo by Phil Farnsworth
Kurzweil believes that environmental damage will eventually be outpaced by the development of clean energy and other technologies. He "looks at the worldwide human condition... and remains an unbelievable optimist," says Music Synthesis chair Kurt Biederwolf.
Photo by Phil Farnsworth
A preeminent jazz educator, Billy Taylor developed course materials used early on at Berklee.
Photo by Phil Farnsworth
As the house pianist at Birdland, Taylor performed with Miles Davis, Dizzy Gillespie, and Charlie Parker.
Photo by Phil Farnsworth
Taylor champions women in jazz. Percussion professor Terri Lyne Carrington, whom he mentored, and current student Katie Thiroux, bass, round out his BTOT trio.
Photo by Phil Farnsworth
Lauren Fuller, a student in the City Music Upper School program, gets Taylor's feedback from the front row during the master class.
Photo by Bill O'Connell
Taylor is so impressed by Berklee student Abraham Olivo's performance that he hires Olivo on the spot to perform and teach at his New York-based outreach program, Jazzmobile.
Photo by Bill O'Connell
Ray Kurzweil sees technological innovation as a fundamental part of being human. He predicts technological advancements, which he says are accelerating at a non-linear rate, with uncanny skill.
Photo by Phil Farnsworth
Kurzweil believes that environmental damage will eventually be outpaced by the development of clean energy and other technologies. He "looks at the worldwide human condition... and remains an unbelievable optimist," says Music Synthesis chair Kurt Biederwolf.
Photo by Phil Farnsworth
A preeminent jazz educator, Billy Taylor developed course materials used early on at Berklee.
Photo by Phil Farnsworth
As the house pianist at Birdland, Taylor performed with Miles Davis, Dizzy Gillespie, and Charlie Parker.
Photo by Phil Farnsworth
Taylor champions women in jazz. Percussion professor Terri Lyne Carrington, whom he mentored, and current student Katie Thiroux, bass, round out his BTOT trio.
Photo by Phil Farnsworth
Lauren Fuller, a student in the City Music Upper School program, gets Taylor's feedback from the front row during the master class.
Photo by Bill O'Connell
Taylor is so impressed by Berklee student Abraham Olivo's performance that he hires Olivo on the spot to perform and teach at his New York-based outreach program, Jazzmobile.
Photo by Bill O'Connell
The annual Berklee Teachers on Teaching conference last month focused on innovation and education of the whole person, and two keynote speakers set the tone.
Futurist, inventor, and author Ray Kurzweil encouraged the faculty to help students encounter life's big questions. Pianist Billy Taylor, one of the forefathers of jazz scholarship, provided an invaluable educational perspective. Though he has retired from active touring and recording he played with a trio during the conference. He also gave a master class for Berklee City Music students.
