Berklee Releases Darfur CD
Proceeds to Benefit Mercy Corps Relief Efforts
November 13, 2006
This article, orginally posted on September 19, 2006, has been updated.
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On October 3, Berklee will release We Are All Connected: Berklee College of Music Reaches Out to the Women of Darfur, a collection of r&b, soul, jazz, pop, world, and gospel songs written, performed, and produced by Berklee students, faculty, staff, and alumni to raise awareness of the plight of women and children affected by the ongoing humanitarian crisis in the Darfur region of Sudan. The CD will be available through iTunes(Opens in a new window), CD Baby(Opens in a new window), Amazon(Opens in a new window), eBay(Opens in a new window), and Newbury Comics(Opens in a new window). Proceeds from the sale of the CD will benefit the Mercy Corps Darfur Fund.
We Are All Connected is the culmination of a collaborative effort engaging many members of the Berklee community. Early in 2005, a delegation of Boston women, including Bright Horizons Chair Linda Mason, wife of Berklee president Roger Brown; award-winning TV journalist Liz Walker; and the Rev. Dr. Gloria E. White-Hammond, traveled to the Sudan with Mercy Corps to learn about the impact of the civil conflict on women and children of Darfur. They took with them two songs: "We Are All Connected" and "To The Sudanese Women" written and performed by Berklee students Andrea Whaley and Farah Siraj.
The songs, the result of a songwriting competition proposed by President Brown and initiated by Jack Perricone, chair of the songwriting department, were produced specifically for the trip and presented to the Darfurian women as a musical gift from their sisters a world away. The music was played for women in the refugee camps on a laptop—a device that many of them were seeing for the first time. Upon hearing the two songs, the Darfurian women leapt to their feet and began trilling and singing in jubilant musical response. That outpouring of emotion was recorded in the field and brought back to Berklee.
During the trip, the Boston delegation heard firsthand accounts of the violence that has killed hundreds of thousands and displaced millions to refugee camps, ripping families apart and leaving women and children homeless, hungry, cold, and in personal danger. Mason shared these stories with the Berklee Women's Network, inspiring the group to take action to produce a full-length CD—including the initial two songs—with the goal of raising awareness and funds.
Submissions for We Are All Connected were solicited through another songwriting competition open to Berklee students, faculty, staff, and alumni. The participants were encouraged to use the field recordings of the Sudanese women as inspiration, and their voices can be heard throughout the CD. More than 40 songs were submitted for consideration. From that rich pool of talent, 18 songs were selected by a committee that included Mason, Perricone, Berklee Chief of Staff Carl Beatty, professors Leanne Ungar and Karen Wacks, staff members Shannon Kim and Lynette Gittens, Melinda Weekes of My Sister's Keeper, and Laura Guimond of Mercy Corps.
The Berklee community mobilized not only for the songwriting, but also for the recording and production of the CD. Music production and engineering Professor Ungar lent her talents and considerable time to executive produce the CD. Other faculty members served as mentors and producers for student compositions, which were recorded in Berklee studios, other professional studios, and homes across Massachusetts. Guest artists appearing on the compilation include Meshell Ndegeocello, Abe Laboriel, Sr., Vinnie Colaiuta, and Jamey Haddad.
Songs from We Are All Connected have been performed at Berklee's commencement ceremony, on the TV show Sunday With Liz Walker, and for tens of thousands at Save Darfur Now rallies in New York and Washington, D.C. In Washington, singer Patti Austin joined the group onstage for a performance of "We Are All Connected" that was broadcast on C-SPAN.
For editorial information or digital photos, the media may contact:
Margot Edwards
Office of Public Information
(617) 747-2004
medwards@berklee.edu
A Letter From Neal Keny-Guyer, CEO, Mercy Corps
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Neal Keny-Guyer, CEO, Mercy Corps | |
Photo by Steve Harmon for Mercy Corps | |
Dear friend:
People often ask me what they—as good-hearted citizens and caring folks—can do to help ease suffering in the world's most difficult places.
And what I always answer, because it's true whatever your walk of life, is this:
Get educated, and then get active.
To me, these are greatest acts of compassion we can make toward people who are working to overcome near-impossible odds, whether they face oppression, chronic poverty, or the devastation of a natural disaster.
In buying this CD, you are both getting educated and getting active. We Are All Connected offers, through music, a compelling lesson on the struggles of people living in Darfur and at the same time allows you to contribute to the effort to mitigate that suffering.
I want to thank Berklee president Roger Brown and his wife Linda Mason for their leadership on this album. They are longtime friends and supporters both of Sudan—where they served together as aid workers in the 1980s—and of Mercy Corps, where Linda is a member of the board of directors. They have done a phenomenal job of harnessing the creative assets of the entire Berklee community for the benefit of the women of Darfur, and we at Mercy Corps are deeply grateful for their efforts.
Mostly, I want to thank you—the customer-activist—for buying this CD. Not only are you in for some inspiring music, but you are getting educated and getting active on behalf of people who desperately need your support. And that, to my mind, is a wonderful way to heed Gandhi's call to "be the change you wish to see in the world."
Many thanks,
Neal Keny-Guyer
CEO, Mercy Corps
For more information about Mercy Corps' work in Darfur and around the world, please visit www.mercycorps.org(Opens in a new window).
Love Myself Instead (4:15) | ||
Written by | Abria Smith | |
Composed by | Arielle Hayes, Jesse Hayes, Abria Smith | |
Spoken Word and Backing Vocals | Abria Smith | |
All Other Vocals | Arielle Hayes | |
The Hawthorne String Quartet | ||
Cello | Sato Knudsen | |
Viola | Mark Ludwig | |
Violin | Si-Jing Huang, Ronan Lefkowitz | |
Drums | David Cowan | |
Bass | Jesse Hayes | |
Rhodes Piano | Oli Rockberger | |
Percussion | Jeanine Cowen | |
Vocal Arrangement by | Arielle Hayes and Abria Smith | |
String Arrangement by | Arielle Hayes and Jesse Hayes | |
Produced by | Jeanine Cowen | |
Recorded, Engineered, and Mixed by | Jeanine Cowen and Leanne Ungar at Berklee College of Music Studio A and Fleece-Tone Studios | |
Assistant Engineers | Malia Cassity-Wakefield, Andy Filmore, Erh-Chuan Lai, Josh Mosser, Carlin Muccular, Rob Sanchez, Mike Zolfo | |
Additional Engineering by | Pamela Harght | |
Production Assistance by | Scott Guthrie | |
Assistant Engineer and Music Copyist | Jorge Velasco | |
Additional Programming by | Rocco Moschetta |
Breath (5:39) | ||
Written by | Simon Emmerson, Myrdhin, and Carole Rowley | |
Lead and Backing Vocals | Carole Rowley | |
Drums | Philippe Leroux | |
Drum Programming | Simon Emmerson | |
Bass | Bernard Paganotti | |
Talking Drums | Masamba Diop | |
Guitars | Simon Emmerson | |
Massai and Nyatiti Chant | Ayub Ogada | |
Lingala Choir | Pascal Lo Kua-Lanza, Myriam Betty, Julia Penere Sarr, Didi Ekukuan | |
Produced by | Carole Rowley and Simon Emmerson | |
Recorded by | Martin Russell at Sonic Innovation, London | |
Mixed by | Carl Beatty at Blue Jay Recording Studio, LLC | |
Mix Assistance by | Giles Christenson | |
Courtesy of Carole Rowley Music | ||
Publishing | Carole Rowley Music/RealWorld Music | |
Executive Producer | David Braun for David Braun Productions licensing@realworld.co.uk |
Home (3:54) | ||
Written and Composed by | Gunter Schroder | |
Vocals and Arrangement | Chantel Hampton | |
Keyboards and Programming | LeRoix Hampton III | |
Bass | Winston Maccow | |
Guitar | Kevin Berry | |
Soprano Saxophone | Walter Beasley | |
Produced by | LeRoix Hampton III and Winston Maccow | |
Mixed by | Leanne Ungar at Berklee College of Music Synthesis Studio B | |
Additional Mixing by | Ian Kagey in Synthesis Studio C | |
Walter Beasley appears courtesy of Heads Up International Records. |
Mother Daughter Sister Friend; A Call From Ocean to Ocean (4:57) | ||
Written and Composed by | Lisa Thorson | |
Spoken Word by | Lee Moretti | |
"Mother, Daughter, Sister, Friend" originally recorded for Resonance (GM Recordings) | ||
Executive Producer | Gunther Schuller | |
Produced by | Lisa Thorson and George Schuller | |
Associate Producer | Luciana Souza | |
Recorded at | PBS Studios | |
Engineer | Peter Kontrimas | |
Artists on Original: | ||
Vocals | Lisa Thorson | |
Piano | Tim Ray | |
Bass | David Clark | |
Drums | George Schuller | |
Additions to the original include: | ||
Spoken Word | Lee Moretti | |
Drums and Percussion | Joe Galeota | |
Recorded and Mixed at | Berklee College of Music Studios | |
Engineered by | Sam Giannelli | |
Assistant Engineer | Pam Harght | |
Produced by | Winston Maccow and Lisa Thorson |
Hope for the Stars (4:54) | ||
Written and Composed by | Juliet Lloyd | |
Acoustic Piano and Vocals | Juliet Lloyd | |
Drums | Daniel Graham | |
Bass | Rob Massoud | |
Electric Piano | Ian Walsh | |
Guitars and Synthesizers | Marty Walsh | |
Soprano Saxophone Solo | Michael Brooks | |
Percussion | Marcelo Woloski | |
Backing Vocals | Gina Cimmelli, Sean Glass, Janae Jones, Koriana Lewis, Meghan Stabile, Leonard Washington | |
Arranged and Produced by | Marty Walsh | |
Recorded at Berklee College of Music and The Shed Recording Studio | ||
Engineered by | Leanne Ungar | |
Additional Engineering by | Dante Fazio, Santiago Mocorrea, Marty Walsh | |
Assistant Engineers | Hyun Kim, Evan Krometis, Erh-Chuan Lai, Jason Latham, Rob Massoud, Chuck Sokol | |
Mixed by | Leanne Ungar at Blue Jay Recording Studio, LLC and Marty Walsh at The Shed | |
Mix Assistance by | Giles Christenson |
We Shall Heal (5:10) | ||
Written and Composed by | Marian Wilson | |
Vocals | Kristin Cifelli, Lynette Gittens, Danielle Scott, Marian Wilson | |
Chorus Vocals | PALS Children's Chorus, directed by Jody Simpson | |
Bass | Meshell Ndegeocello | |
Electric Guitar | David Fiuczynski | |
Percussion | Jamie Haddad | |
Celtic Harp | Maeve Gilchrist | |
Percussion | Evan Anderson, Jeremy Lucas, Guy Ulrich | |
Produced by | Stephen Webber | |
Recorded and Mixed by | Mark Wessel at Blue Jay Recording Studio, LLC | |
Programming/Editing | Jason Petrin | |
Additional Engineering | Frank Charlton, Jason Petrin, Stephen Webber | |
Assistant Engineers | Kei Aizawa, Kyle Hurlbut, Steve Nichols, Ted Pennington, Brian Zarlenga | |
Mix Assistance by | Giles Christenson |
Side By Side (2:30) | ||
Written and Composed by | Michael Conrad | |
Vocals and Translation by | Carol Souki | |
Programmed, Recorded, and Mixed by | Michael Conrad in Garageband | |
Lyrics in English | "Sing with me, stand with me, so that we can create world peace." |
The Women of Darfur (3:51) | ||
Written, Composed, and Arranged by | Dave Weigert | |
Lead Vocals | Jordon Felisbret and Gigi Abraham | |
Vocal Choir | Nadjya Maccow (additional vocal arranging), Jordon Felisbret, Lynette Gittens, Rashad McPherson, Ron Reid, Raynoldo Rumph, Tremayne Youmans | |
Drums | Vinnie Colaiuta | |
Bass | Abraham Laboriel, Sr. | |
Synthesizers (Motif 8) | Jetro Da Silva | |
Acoustic and Electric Guitars | Marty Walsh | |
Electric Guitar | Casper Gyldensoe | |
Marimba | Natalie Dietrich | |
Produced by | Rob Jaczko and Dave Weigert | |
Engineered and Mixed by | Rob Jaczko at Blue Jay Recording Studio, LLC | |
Additional Engineering | Martin Cooke, Travis Ference, Charlotte Moore, Nathan Rosborough, Josh Taylor |
Deep in My Soul (5:19) | ||
Written and Composed by | Mika Young and Michael Valentine | |
Lead Vocals and Background Vocals | Mika Young | |
Keyboards and Programming | LeRoix Hampton III | |
Additional Vocals | Nadjya Maccow | |
Drums | Kevin Camp | |
Guitar | Marty Walsh | |
Vocal Arrangement by | Mika Young and Chantel Hampton | |
Produced, Arranged, and Engineered by | LeRoix Hampton III for Atlantic Boss Entertainment (ABE) | |
Coproduced by | Chantel Hampton for ABE | |
Mixing | Kenney Lewis for Mixed Emotions Music |
Al Tareeq ila Furawiya (5:42) | ||
Written and Composed by | Danny Patterson | |
Produced by | Stephen Croes and Danny Patterson | |
Mixed by | Danny Patterson and Eric Peterson at Berklee College of Music Studio L3 |
To the Sudanese Women (5:30) | ||
Written and Composed by | Farah Siraj | |
Vocals | Farah Siraj | |
Oud, Dumbek, Electric Bass | Walid Zairi | |
Vocals, Flamenco Guitar, Hand Claps | Guc Gulle | |
Produced by | Jack Perricone | |
Recorded and Mixed by | Tony Porter at Blink Music | |
Mastered by | Adam Ayan at Gateway Mastering |
Why (3:56) | ||
Written and Composed by | Magda Giannikou | |
Lead Vocals, Marimba, Glockenspiel | Magda Giannikou | |
Electric Bass | Andres Rotmistrovsky | |
Drums | Zach Mangan | |
Percussion | Jamey Haddad, Marcelo Wolosky | |
Nylon String Guitar | Julian Midon | |
Acoustic Guitar | Ricardo Vogt | |
Celtic Harp | Maeve Gilchrist | |
Violin | Tomoko Omura | |
Background Vocals | Eleonora Bianchini | |
Background Vocals, Trumpet | Leala Cyr | |
Accordion | Thiago Amorim | |
Flute | Anastasia Zachariadou | |
Children's Voices | Melina Anastasopoulou, Amanda Stefatou, Anna-Rose Stefatou | |
Produced by | Alain Mallet | |
Recorded by | Mark Wessel at Mix One Studios | |
Mixed by | Mark Wessel at Silvertone Studios | |
Additional Engineering by | Jeremy Loucas and Josh Mosser | |
Assistant Engineer | Nathan Rosborough |
Tell Me Your Name (3:56) | ||
Written and Composed by | Damien Bracken | |
Vocals, Piano, Keyboards | Damien Bracken | |
Lead and Rhythm Guitar | Bryan Baker | |
Lead Guitar, Mandolin | Jim Kelly | |
Bass | Danny Morris | |
Drums | Larry Finn | |
Produced by | Lauren Passarelli and Leanne Ungar | |
Recorded and Mixed by | Leanne Ungar at Berklee College of Music Studios | |
Assistant Engineers | Evan Krometis, Rob Massoud |
Home to Darfur (5:19) | ||
Written and Composed by | Sun5 | |
Sun5 | ||
Vocals | Thomas Kivlan | |
Drums | Jason Kenyon | |
Guitar | Yohei Nakamura | |
Bass | Tim Paul Weiner | |
Piano | Jetro da Silva | |
Hammond B3 Organ | Tim Butterworth | |
Choral Director | Dennis Montgomery III | |
Choir | Adriel Bowman, Kyisha Cann, Joy Daniels, Cassie Griffith, Carrie Ivey, Evan Jackson, Jaclyn Joyce, Alexis Juliard, Gina Lovett, Tina Mateo, Siobhan McNear, Rashad McPherson, Raynoldo Rumph, Edden Spencer, Kaitlin Thomure, Jessica Tonder, Tremayne Youmons | |
Produced by | Jeff Largent, Richard Mendelson, and Sun5 | |
Recording and Mixed by | Richard Mendelson at Berklee College of Music Studio A and Reach Studio | |
Assistant Engineers | Jonathan Altschuler, Ariosto Arata Llona, Aaron Benson, Lucas Carvalho, Martin Cooke, Nicolas Essig, David Kay, Theodore MacInnes, John Merriam, Mor Mezrich, Kent Moore, Michael Nesci, Paul Rubinstein Sabah, Corey Schrepple, Michael Szulk, Paul Vitolins |
Where the White Nile and the Blue Nile Meet (4:18) | ||
Written and Composed by | Susan Cattaneo | |
Lead Vocals | Susan Cattaneo | |
Background Vocals | Kristin Cifelli, Scarlet Keys | |
Drums | David Cowan | |
Bass | Danny Morris | |
Electric Guitar, Pedal Steel | Bob Metzger | |
Acoustic Guitar, Banjo | Stephen Webber | |
Leslie Guitar | Bobby Lee Rodgers | |
Produced by | Susan Cattaneo, Tomo Fujita, Leanne Ungar, Stephen Webber, and Mark Wessel | |
Recorded by | Stefan Colson at Wellspring Studios | |
Additional Recording by | Jason Petrin, Leanne Ungar, and Mark Wessel at Blue Jay Recording Studio, LLC | |
Mixed by | Leanne Ungar at Studio Metronome |
Child's Play (2:14) | ||
Written and Composed by | Roman Kovalik | |
Produced by | Roman Kovalik | |
Edited by | Corey Schreppel, Leanne Ungar | |
Mixed by | Leanne Ungar at Berklee College of Music Synthesis Studio C | |
Includes a sample of Sudanese children singing a traditional children's song about a cat chasing its tail. |
Cross the Ocean (4:50) | ||
Written by | Saira George | |
Composed by | Christy Mathew | |
Lead Vocals | Christy Mathew | |
Background Vocals | Christy Mathew, Farah Siraj | |
Percussion | Jamey Haddad, Matt Kilmer | |
Programming | Christy Mathew | |
Additional Participants | Jorge Costa, Sophia Kakoulidou, Richard Mendelson | |
Produced by | Mitch Benoff and Christy Mathew | |
Mixed by | Leanne Ungar and Mark Wessel at Berklee College of Music Synth Studio C | |
Engineered by | Adam Brozik, Frank Church, Martin Cook, Rob Harkness, Jorge Velasco, Aubrey Webber |
We Are All Connected (3:28) | ||
Written and Composed by | Andrea Whaley | |
Lead Vocals | Nadia Halliburton, Andrea Whaley, and Nicole Whitehead | |
Background Vocals | Overjoyed | |
Cello | Larrisa Maestro-Scherer | |
Piano, Organ | Dennis Montgomery III | |
Electric Bass | Michael Farquharson | |
Drums | Yoron Israel | |
Produced and Arranged by | Jack Perricone | |
Recorded and Mixed by | Tony Porter at Blink Music |